The management of the Carthage Cinematographic Days (JCC) unveiled last night the poster of the 33rd edition which will take place from October 29 to November 5, 2022.
According to the press release, ” Through this official poster, Carthage’s film days celebrate their Arab and African anchoring and their Mediterranean opening.
Inspired by the portrait of the great actress Mbissine Thérèse Diop, heroine of the unforgettable The black of … Directed by Ousmane Sembène, Tanit d’Or at the first JCC in 1966, the young woman from the poster who carries a dress decorated with Arabic calligraphy is painted by the digital painting process: an innovative artistic creation.
Symbolic incarnation of the editorial line of the JCC, we wanted it aerial and optimistic with a golden radiance for a taste of the party and the festivities“.
It is indisputable that it is one of the most beautiful posters of the JCC for very long years. Perhaps we could just blame him for not being Tunisian enough.
It would also be interesting for the JCC to adopt a constant line for official posters, such as the Cannes Film Festival which for several years, has honored each time a film and/or a star of the cinema, or like the Cairo Film International Festival, whose posters have had for several years, a young woman inspired by the goddess Isis, who is the festival logo.
Neïla Driss
The management of the Carthage Cinematographic Days (JCC) unveiled last night the poster of the 33rd edition which will take place from October 29 to November 5, 2022.
According to the press release, ” Through this official poster, Carthage’s film days celebrate their Arab and African anchoring and their Mediterranean opening.
Inspired by the portrait of the great actress Mbissine Thérèse Diop, heroine of the unforgettable The black of … Directed by Ousmane Sembène, Tanit d’Or at the first JCC in 1966, the young woman from the poster who carries a dress decorated with Arabic calligraphy is painted by the digital painting process: an innovative artistic creation.
Symbolic incarnation of the editorial line of the JCC, we wanted it aerial and optimistic with a golden radiance for a taste of the party and the festivities“.
It is indisputable that it is one of the most beautiful posters of the JCC for very long years. Perhaps we could just blame him for not being Tunisian enough.
It would also be interesting for the JCC to adopt a constant line for official posters, such as the Cannes Film Festival which for several years, has honored each time a film and/or a star of the cinema, or like the Cairo Film International Festival, whose posters have had for several years, a young woman inspired by the goddess Isis, who is the festival logo.
Neïla Driss
