At the Kheireddine Palace, this Sunday, we tried to seek a word Tu, lost, buried under the wings of blind and dumb birds placed on cables hanging on the wall, forming a transcription in writing in Braille, their spins were in sharp thorns. This painting was a hymn of freedom dedicated to artists.
These birds observed a little further, a thorny defensive hedge, it locked the pen, which allowed them to beat wings.
Leaning against the wall, a hatch of bear with the silhouette of the teeth of the sea, its shadow like a carnivorous plant which wore in the belly a fine of ink.
The tumultuous silence of the palace, brings the warrior to the head in steel who smashed the brick wall to hide
His fury behind his Greek mask, leaving the ring!
Leaving the palace, we discover that we left a foot!
It is an elephant’s foot, reminding us of our grandeur or our defeat, we linger a little, we observe it with pride and bitterness and returns to the whirlwind of life, but what is certain, we come out of it thinking about its human condition, thinking about the very first sentence read to the welcome: “Creating is to resist the shame of being a man.”
The detour was worth it and the trip was inspiring to us!
This exhibition was created by the Prince, a visual artist, Omar Bey. His innovative mastery of materials, iron, brick, cement, stone, steel, knew how to penetrate our mind by pushing us to redefine the absurd and to decipher in a way, very sought after and creative, the symbols hidden in each of his works.
Nesrine Ben Sedrine
